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Friday, July 10, 2009

Intellectual Wannabes

like every thing else in this country our film Industry is diverse. And it is actually required when you have such a diverse audience, with different preferences. But the recent success of the critically ridiculed Kambakth Ishk has really made me think. Are we really comfortable to compromise our sensibilities, just for some cheap laughs. ofcourse there is also the paia wasool factor involved, you don't want to spend 200 rs for 2 hrs and not even get to laugh. This dangerous outlook of the audience has boosted the confidence of some creatively impaired film makers to make more moves. but the sad part is that even talented ones want to get a piece of it.

its a vicious cycle. stupid films make more money which is used to make even more stupid films, with bigger budget. its like the situation with Bihar and Lalu, one is the reason for another. It is not like we have any scarcity of talented film makers, so I don't understand the reason why our filmmakers are incapable of making sensible films is it just the risky tastes of the Indian audience or simply the lack of creativity. The one very useful thing I've learned while doing theater is that when it comes to exploiting human emotions, sadness is the easiest (as compared to fear or humor or thrill). the entire soup opera Industry is based on this formula. all Indian families like to curl up in the evening and shed tears for the poor stereotype tormented bahus and betis. the audience never gets tired of the them. some people thought that it wasn't enough so they showered us with reality shows having participants with leaky tear glands.

Then there are the "inspired" types, these are the ones that make me really angry, when they manipulate and mutilate the classic Hollywood stuff and and reduce it to their retarded perceptions. its a big insult to the "actual" film makers.
and when it comes to actors the one thing I've notice about Hollywood is that most of the acclaimed ones are generally not of the typical outrageously handsome types that we find here, take for example Tom Hanks, Russel Crowe, Matt Damon, kevin spacey. a proof that talent is preferred over looks. or rather talent is accepted to looks.
generally the opening day collections are governed by the type of publicity done and hype involved, this depends on the good will of the director or the actor involved. In Bollywood thats all that we depend upon. a movie hardly survives through the opening week unless it has Ghajni type publicity involved.

Although There are some film makers whose work I really wait for like Kabir Khan, Imtiaz ali, Madhur Bhandarkar, Raj kumar Hirani, V. Bhradwaj, its obvious that when it comes to films our taste buds are different to theirs. we like our movies with exaggerations and random coincidences, we like to leave reality to the real world and let fantasies take center stage. but the recent change in trend of these masala movie makers going for serious and sensitive topics can be dangerous. take for example the recent released "New York". it has gone too far with the whole American retaliation to 9/11 thing, showing an innocent Muslim turning to terrorism and almost blowing up the FBI headquarters. its true that it may not have made the same money had it lacked the senseless action. but it is disappointing to see that good film makers are ready to sacrifice their quality to satisfy the appetite of the curry loving junta.

2 comments:

Sasha said...

I agree with what mr.Mohit says. Not trying to categorize or judge people, I carefully state that generally Indians are and always have been dramatic people. Their whole life is full of it..Drama...And they enjoy living like that. It’s part of their culture, lifestyle and I even might think it’s genetic. I don’t see any changes in this in the nearby future, cuz the Indian society upholds this “drama lifestyle”very strongly. Research has already proven what kind of influence the media can have on people. And showing all those daily hindi drama serials and senseless films (besides the few good ones offcourse) they just get conditioned to react and live in the same way. Cuz that’s wht’s happening. If one is exposed to this kind of drama violence 24 hours per day throughout the years, wht else do we expect? And I don’t even want to think about all the humiliating Hollywood remakes. Cuz that’s wht it is: humiliating. I don’t know where they sometimes find the guts bringing down such good films by an Indian remake with the added spices, exaggerations and unrealistic turns and twists. It’s like they’re not creative at all, cuz most of the films have the same theme over and over again. That;s why I cant look at these movies anymore. Reciting the author: “when exploiting emotions, sadness is the easiest (compared to fear, humor or thrill)”. People have proven time and time again that they fear what they don’t know. Afraid of the changes it might bring. Thus fear doesn’t give them a pleasant feeling. But the reaction of sadness does...And its the easiest way out.When sad, people start to cry, care and sympathize with each other. We feel good if others comfort us when we’re sad. But by living that way, don’t we fool ourselves? Cuz sadness is just a small part of life.

dishank gupta said...

Hi

One more reason of the mediocre movies produced in india is that here the ultimate intention or motive to produce film is little different; its profit. That's why they want to put everything into the box so it will everybody happy but what happens is that it becomes so messy that no body can find anything.

Rather hollywood movies are more inspired from the novels or from any historic background. They have a very stable support via their script and till indian movie makers don't understand this fact, improvement is definitely seems to be on the ground of surrealism.